Meet the ultimate palmtop guitar companion and recording studio. Only slightly larger than an iPod, the tiny-yet-powerful MICRO BR is a dream for musicians on the go. The MICRO BR offers four simultaneous playback tracks (plus 32 V-Tracks), MP3 compatibility, onboard multi-effects, built-in rhythm patterns, a tuner, USB, an SD Card slot, and more. No guitar case or gig bag should be without one!
The F4 is equipped with our highest-quality mic preamps. Like the F8, the F4’s mic preamps enable pristine recording and playback at resolutions up to 24-bit/192 kHz. Its impressive audio specs include an extremely low noise floor (-127 dBu EIN) and high gain (up to 75 dB), with +4 dB line-level inputs.
The F4 features four discrete inputs with locking Neutrik XLR/TRS combo connectors. Each input provides a dedicated preamp with gain control knob, phantom power, a six-segment LED level meter, and a Record Ready and PFL switch. The 1/8" stereo input or the Zoom mic capsule input can provide input for tracks 5 and 6. The F4 also includes a variable-frequency slate tone generator to confirm levels.
The F8 is made for serious filmmakers and sound designers.
With 8-input/10-track recording, super low-noise preamps, and support for 24-bit/192 kHz audio, the F8 captures the highest-quality audio.
The F8’s time code is state-of-the-art. It utilizes a Temperature Compensated Crystal Oscillator (TCXO) that generates time code at 0.2 ppm accuracy, enabling rock-solid syncing of audio and video.
The F8 supports all standard dropframe and non-drop formats, and can jam sync to time code being provided by external devices. An input and output are provided on standard BNC connectors, enabling easy integration into any rig.
The X/Y technique provides a great way to cover a wide area while still capturing sound sources in the center with clarity and definition, making it perfect for all types of live stereo recording.
The H1's built-in X/Y microphone provides two matched unidirectional microphones set at a 90 degree angle relative to one another, optimum for most stereo recording applications.
Alternatively, you can connect a pair of external microphones or line level signal to the H1's Mic/Line Input mini phone jack for X/Y or other types of stereo recording.
The H2n Handy Recorder is the only portable recording device to come with five built-in microphones and four different recording modes: X/Y, Mid-Side, 2-channel surround and 4-channel surround. Other advanced features include automatic gain control and onboard MS decoding, plus effects like compression, limiting and low cut filtering. You can even use the H2n as a multi-purpose USB microphone!
The H5 Handy Recorder, the tradition continues. The H5 provides four tracks of simultaneous recording and, like our flagship H6, it can use all Zoom interchangeable input capsules, allowing you to choose the best microphone for every recording situation. The flexible and powerful H5 provides everything you need to create multitrack recordings, audio for video, and state-of-the-art podcasting, broadcasting and electronic news gathering.
The revolutionary H6 six-track recorder, the bar is raised further still. Four interchangeable input capsules – X/Y, MS, Shotgun, and Dual XLR/TRS Combo – make the H6 the ultimate chameleon of the audio world, and its advanced preamps make it the best-sounding one too. Whatever your application – live recording, professional film/video work, live broadcast or electronic news gathering – the H6 can handle it with ease.
The compact R-05 is easy to use, affordable, and packed with big-ticket features that raise the bar in its price class. Experience crystal-clear 24/96 capture, enhanced recording and editing features, and extended battery life (over 16 hours per charge). On stage, in rehearsal, at school, on the street, in the boardroom — whenever inspiration strikes, let the R-05 capture the moment with convenience and quality.
Hand-held field recorders have been hot commodities for musicians, recording engineers, and sound designers for years. Today, the mercury rises in this dynamic market with the debut of the game-changing R-26. This innovative recorder is portable yet loaded with first-class, professional features, the likes of which the industry has not seen before. There are two types of stereo microphones built into the R-26, plus a pair of XLR/TRS combo inputs for external mics, and an input for a stereo plug-in powered mic. Choose simultaneous combinations of the built-in mics (directional and omnidirectional), as well as the external inputs. Capture live performances with simultaneous line and ambient signal paths, record important speeches, lectures, and presentations, or take the R-26 into the inner city or deep forest for pristine field capture. The sky’s the limit with this powerful, portable, and incredibly flexible recorder.
The Roland R-88 includes all the features required by location sound professionals including a full on-board mixer, various timecode modes and slate tone/mic for memos.
The stereo mix output on the R-88 is perfect for location sound recording applications enabling a stereo mix back to the camera to record reference audio or provides a stereo monitor output while simultaneously recording individual tracks. With 8 discrete outputs you can also embed the audio tracks into a SDI video feed by using a multi-channel SDI audio embedder. It also features professional AES/EBU digital I/O to digitally record from or send to a mixing console or other digital source.